asc cd98 Howard Riley: 'Three Is One '

"With the exception of "Still Life" and "Haunted", all these pieces are made by responding to an original recording, heard in the centre of the stereo picture, with fresh, reactive performances placed in the left, then the right channel The result, far from clotted and dense, is extremely open and alert. The title reflects the music perfectly: three musical lines adopt the function of one, without any of the busy overlay with which some overdubbing pianists have tried to recapture something of the Tatum "second pianist" illusion (which only Cecil Taylor has ever been able to reproduce convincingly).

"Still Life" and "Haunted", which have only one "new" piano part in each section, are grand conceptions stretching to a quarter of an hour each. The rest are shorter and tighter, but remarkably of a piece. Only on "Confessing" does Riley utilise extended or "inside piano" techniques to stretch the vocabulary. Three Is One is predominantly and triumphantly a virtuoso keyboard performance. Riley isn't the solo begetter; ASC's Stew Plews handles the recording with great skill and sensitivity. Everything comes through with due and equal weight: a remarkable achievement."
Brian Morton: Jazz Review, April/May 2008.